A street portrait taken in Glasgow.
I like how working in monochrome encourages a more formal and studied approach to picture making. Balancing the tones and cropping to enhance the formal elements of placement and division is a very satisfying activity. The unruly diagonals always add a touch of tension, don’t you think?
I love all the relationships being acted out, and in front of the actors in the frieze behind!
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Thanks David. I often consider some of these street scenes are like stage sets and sometimes try to enhance this by using depth of field and lighting.
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